2023
Shot inside the French Ministry of Defence audiovisual archive near Paris, the film looks at the visual traces remaining of the transfer of colonial statues and monuments from Algiers to Marseille, in the weeks following Algerian independence. Installed throughout Algerian territory during occupation, these objects were transferred on military boats and re-installed in France where they remain in public space to this day. Through outdated buildings and along intertwining cables, Camille Kaiser’s camera focuses on the micro-gestures that enable access to state archival documents. In deserted offices where computers seem to come alive, the process of consulting the archive becomes vertiginous.
Credits
Image: Sebastian Vargas
Score: SD S
Editing: Camile Kaiser
Colour grading: Paul Shiakallis
With the support of
Fonds cantonal d’art contemporain, DCS, Genève
Kiefer Hablitzel Stiftung
Ernst Göhner Stiftung
Gwärtler Stiftung
Aargauer Kunsthaus
Subsidized by La Ville de Genève
Filmed at ECPAD, Ivry-sur-Seine, July 2022
With the precious help of: Véronique Pontillon, Marie Pham Van, Chérif Slimani
The archival photographs in the film are from the series ALG 62-135 by Gérard Py, SCA/ECPAD/Défense.
Many thanks to Marie Mayoly, Jamal Nxedlana, Olivia Alexandra Fahmy, Julie Marmet
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